Showing posts with label Kevin Eastman. Show all posts
Showing posts with label Kevin Eastman. Show all posts

Sunday, August 17, 2014

CBC interview




Last week I did an interview to help promote the new documentary about the TMNT -- "Turtle Power: The Definitive History of the Teenage Mutant Ninja Turtles". It was an unusual set-up for the interview, because Kevin Eastman and I were appearing together (our first joint interview in well over a decade, I think) but from two locations more than three thousand miles apart. Kevin was at a radio studio in San Diego, while I was at the studios of local public radio station WFCR, in Amherst, Massachusetts (a station I listen to almost every day, so it was cool to be there).

The interview, conducted by Canadian Broadcasting Company reporter Peter Armstrong, was fun, although a bit too short to get into much of anything substantial. Still, it was an interesting experience, and made me realize once again how strange and wonderful it is that these wacky creations of ours have survived thirty years -- half my lifetime! -- and seem poised to thrive for another thirty, if not more. It also made me wish Kevin lived closer, so we could have more of these kinds of conversations… and maybe someday collaborate on another project.

The photo at top is a "selfie" I took while at the microphone in WFCR's studio.  -- PL

P.S. Here's a link to the interview:

Wednesday, May 7, 2014

Free Comic Book Day weekend, May 3-4, 2014

      This past weekend was "Free Comic Book Day" across the country, and the putative "30th anniversary of the Teenage Mutant Ninja Turtles" (they were actually created in November of 1983, but it was May 5, 1984, when we premiered the first issue of the TMNT comic book at a small convention in Portsmouth, NH -- almost exactly thirty years ago), and I was scheduled to appear at the Knights of Columbus Hall in Rochester, NH for Ralph DiBernardo's Jetpack Comics store on Saturday (which is the actual, official"Free Comic Book Day"), and then the following day, Sunday, at my buddy Steve Lavigne's "Shellback Artworks" store in Wells, ME. Steve and my friend and fellow Mirage artist Jim Lawson were also appearing at both venues.

As the weekend approached, I was getting more and more anxious about it. Part of that had to do with what I had been hearing about the event -- that it was going to be huge, with big crowds of people on both days -- but part of it also had to do with the fact that for the first time in a very long time (possibly fifteen years or so, maybe more), I'd be appearing alongside my former partner in Mirage Studios and co-creator of the TMNT, Kevin Eastman.

I wasn't sure how that would go. There has been a lot of water under the bridge, as the saying goes, over the years since Kevin and I first became friends and shortly thereafter created the Ninja Turtles. It's safe to say that over the last couple of decades, we had grown estranged, and had little to do with each other.

Over the past couple of years, however, we have reestablished a relationship though cordial emails, which seemed the best medium given that we live on opposite sides of the country, and I've never been one for talking much on the telephone. We've even recently collaborated artistically again, when I inked a few drawings of Kevin's.

But I was still concerned -- what would it be like to spend time with Kevin, not only in the same room, but at the same table, literally side-by-side, after all these years? Well, I have to be honest…

… I had a great time!

In many ways, it was as if the intervening years just hadn't happened. I once again experienced that warm spirit and infectious, wacky sense of humor that I remembered about Kevin from the early days of our friendship. It was truly a pleasure to see him again.




(Who are those boys? Pete and Kevin in Rochester.)


I wish we'd been able to spend some more time together, outside of the FCBD events, so that we could just talk about life and catch up on what we'd been doing for the last decade or two, but the demands of the weekend and our relative schedules pretty much didn't allow for that, except for one thing which I will get to in a bit. I did also get to briefly meet his wife Courtney and son Shane, which was nice.

Outside of being with Kevin, how were the signings themselves? Two words come to my mind -- exhilarating and exhausting. I think I spent about four or five hours each day along with Kevin signing, shaking hands, and chatting with fans, most of whom had come from neighboring states, but some of whom had traveled huge distances to come to the events. 



(Mirage dudes pose with fans at Shellback Artworks)



(Pete signing in Rochester)

We heard many wonderful personal stories about how the Turtles had touched lives and had great influence in positive ways. One gentleman even brought custom-embroidered honorary black belts for me and Kevin from his Taekwondo school, something he had eventually begun some years after being inspired to take up martial arts as a kid because he loved the Turtles.

We signed lots and lots of stuff, including comics, prints, toys, t-shirts and books, as well as some unusual things -- a samurai sword, two small light-tables, the headrest of a wheelchair, and an iPhone case, to name a few.




I think my favorite moment was when a family came to the table, with the kids dressed like the four Turtles, the mother like April O'Neil in her yellow jumpsuit, and the father like Vernon from the first TMNT animated series. Too cute!




It's a very good thing that the number of things we signed, per person, was kept to three items per person per trip through the lines, as we might still be there signing if it had been more. (And given how much extra time it took to sign everyone's stuff even with that limit, and how many people actually had to be turned away, I think it might have been a good idea to limit it to two items, or perhaps even one.) 






(Two views of the line outside Shellback Artworks... the line also 
wound around the inside of the store and up to the second floor!)


      As it was, we stayed longer than scheduled, and I will confess that during the last hour of each signing day, especially the second one, as fatigue and backache began to creep over me, I was in danger of completely losing my sense of humor. If not for the inspiration of Kevin, who was determined to sign stuff for everybody who'd waited patiently in line, I very well may have left at my scheduled time and headed for the tranquility and quiet of the Maine coast.

One other thing that helped keep my flagging energy levels from dropping too low was the fact that my brother Bruce, who'd traveled to Maine with me for the signings, and my lovely daughter Emily stayed through the whole of each appearance, offering support.



(Kevin, Emily and Pete)

Near the end of the second day, I was taking a brief break and chatting with Isaac, Randall and Mark, the gents doing the TMNT documentary, who had made the long trip down from Canada once again to see if they could capture some interesting footage from the FCBD events. I told them I'd had this idea -- something I had mused about for some months, perhaps years -- that it might be cool if at some point Kevin and I had the opportunity to return to the site of the house in Dover, where we'd created the Turtles back in 1983, and just reminisce about the experience and the years since. The documentary dudes thought that was a neat idea -- in fact, I think Randall said he'd had a similar one -- and we almost got it together to do the thing that afternoon, but the extra time we put into the signing at Shellback Artworks and the lengthening shadows of late afternoon put paid to that idea.

However, Isaac told me that they would be willing to extend their stay a bit longer and, if the weather cooperated, and Kevin and I could fit it into our schedules, they could be available to do it the next day. So we made a plan to meet in Dover the following morning at 9:30, unless it was raining.

Well, the weather gods were on our side, as Monday morning was crisp and sunny. Bruce and I drove to Dover, pulling in after the documentary crew had arrived. Kevin and Courtney showed up a few minutes later, followed by Emily, who had wanted to be there for the filming. Kevin and I got miked up, discussed what we might do, and then just started talking as we wandered around the small empty lot which once held the equally small house in which the Teenage Mutant Ninja Turtles had come to life.




It was really nice to kind of free-associate with Kevin as we recalled various details about our time there, each of us remembering different things, which sparked other memories. Most of the details of our day-to-day lives from that time are long gone, but some were quite sharp and clear. Kevin recalled how my wife Jeannine (to whom I had gotten married in that tiny back yard in 1983) used to make great muffins (she still does), and I recalled Kevin's practice of rolling up socks and putting them on the arms of his stuffed chair under his lap board, to get just the right angle for drawing. And we both recalled the moment when, after a shared supper, while we were doing the dishes, Kevin stuck a cheese grater over his forearm. Waving it around, he opined that it would make for a cool villain, who could just grate you to death.

Thus was born Grateman… uh, the Shredder.



(from left to right: Randall, Kevin, Pete, Isaac, Mark.)

Soon we had to take off the mikes and say goodbye to our Canadian friends, wishing them good luck in getting the last pieces of the documentary together. I know I have said this before, but I really think their documentary is going to blow the minds of any real TMNT fans out there, given all of the time and talent and love they have lavished on it over the last five years or so, traveling all over to talk to people who had been involved with and/or been influenced by the TMNT. Keep an eye out for it!

     Bruce and I drove back to Maine to pack up our stuff and pick up my dog Parker, who'd come with us on this trip to the seacoast, then headed back to Massachusetts, stopping once more outside of Concord, NH for a giant dish of ice cream.

So ended my 2014 Free Comic Book Day weekend. -- PL


       (Photos by Bruce Laird. Thanks, dude! Thanks also to Ralph and his crew from Jetpack Comic, and Steve and Denise and their helpers at Shellback Artworks, and to all of the great fans who showed up for these events. And special thanks to the man himself, Kevin Eastman, without whom I would not be writing this today. -- PL)


Wednesday, February 19, 2014

New Eastman and Laird art for IDW 30th Anniversary TMNT cover!



About a month ago, I got an intriguing request from Kevin Eastman. He was penciling a cover for another IDW TMNT-related comic book, this one a thirtieth anniversary special, and he wanted to know if I would like to ink it.

Having just had fun inking Steve Lavigne's penciled cover for another IDW book, a reprint of some old Archie TMNT stories, I agreed. I thought it would likely be a somewhat different experience…

… and when I saw the pencils, I knew I was right. Kevin had crafted a beautiful, very tightly-penciled, montage-style image featuring a complicated cityscape and a bold group shot of the Turtles leaping into action, all dominated by the looming image of the Shredder.




It was so tight, in tact, that I suggested to Kevin that it should just be used as is… but he wanted to see it inked, so I went ahead and got out my brush markers and set to work.

(Oh -- I should stop here and mention that Kevin also wanted me to have the original art for this cover. Sweet!)

So I was faced with a small dilemma -- should I ink directly over the pencil drawing, thus losing forever its greyscale coolness, or should I somehow transfer the image to another piece of paper and ink it on that, preserving the original pencils?

I opted for the latter, via a technique I'd used before. Employing the color laser copier at Mirage, I copied the image onto a sheet of 11" by 17"  card stock, using the copier's ability to print a greyscale image in the color of my choice. I tried to pick a hue as close to "photo-blue" as possible (that being a shade of blue which is difficult for cameras -- or scanners -- to pick up).

I made several copies in case I messed up and had to start over, and got to it.  And as I did so, I realized what an unusual piece Kevin had created here, with its impressionistic shadows and suggestions of forms. It was a little daunting at first, trying to figure out exactly how to lay down the ink lines so as to best capture the effect Kevin had achieved.

As is my wont, I jumped around from spot to spot on the image. Here are a few shots of the work in progress. I inked with basically two brush markers, and for the really large areas of black, I used a brush and bottled ink. (It's kind of funny to notice in this sequence of photographs that as more ink is applied to the page, the more the paper starts to curl up at the edges!)










One other thing I did -- with Kevin's blessing -- was to make a couple of small detail corrections, things that the casual reader would probably not notice, but which stuck out to my eye. First was the placement of the blades on the Shredder's forearm gauntlets. The way Kevin had drawn them here looked fine as far as this particular drawing went, but having worked on many an image of the Shredder in the comics we'd done together years ago, I could tell that this detail was not exactly the way we used to draw it. So I lightly penciled in the blades to look the way we had established in those old TMNT comics.




The other thing was a stylistic bit that I almost inked as is, because in this drawing the gesture looked just fine. But my practical side just wouldn't let me go there. The detail in question is Michelangelo's nunchaku. Kevin had drawn them with a very dramatic flourish, but also with cords connecting the nunchakus sticks which looked way too long to me. So I shortened them up, and made them chains instead of cords (again, going back to the early days). Fortunately, none of these changes required major alterations to what Kevin had penciled, to my relief.

It was a lot of work, a lot of fun, and took me about four days to finish (taking breaks along the way). Once I'd put the last bit of ink down, and the last little correction with a white-out pen, I brought it to Mirage to scan (the scanner there is better and faster than the one I have at home), and took the scanned file back home with me to clean it up, rotate it into proper orientation and get it ready to send to Kevin.




I was pleased to see that the "blue line" approach had worked quite well, and I was able to clean up any stray remaining areas of blue with no problem, leaving a nice clean black and white image to be colored for the cover. 




This was only the second time that Kevin and I had worked on a piece together in many years, the last time being a few years back for the Jake Black benefit print. I hope we do it again, and soon. It was a blast! And it was especially gratifying that Kevin got a kick out of what I had done with his gorgeous pencil drawing.

Thanks for the opportunity, Kev! -- PL

Tuesday, January 20, 2009

Blast from the Past #64 repost: TMNT color series #2 cover pencils

Here's my pencil drawing for the cover of the second issue of the Mirage TMNT color series, before Kevin Eastman inked it and I colored it in Photoshop. This is one of a series of "big head" covers that we did for that series, wherein the background of each cover was dominated by a large image of the head of one of the characters in the story.



Last year, I pulled the final inked version of this cover, along with a couple of other covers, out of my files, and Steve Lavigne painted the original artwork in his inimitable style. I'm pretty sure we sold this one at the NYCC in 2008. -- PL

PS: As pointed out in the comments by Tokka/Dave, this is another unintentional "double repost" -- not only did I put this up on the original "Blast from the Past" page on the planetracers.com website, but I also posted it on this blog last year ( http://plairdblog.blogspot.com/2008/10/blast-from-past-103-tmnt-color-series-2.html). D'oh! -- PL

Monday, December 22, 2008

Blast from the Past #55 repost: Donatello in new costume color study

Believe it or not, Kevin was going to throw this one away! I’m glad I was there back in 1985 to stop him and beg him to give this drawing to me, which he graciously did.



To this day I can’t understand why he didn’t like it -- I think it’s a very cool high-contrast ink drawing with a nifty experimental color effect (not to mention it shows Donatello in an alternate costume design we were thinking about using). -- PL

Monday, December 15, 2008

Blast from the Past #51 repost: Bulldog Mutant

As previously glimpsed in Blast#49 piloting the Exoskeleton, this is the bulldog mutant (who was never given a name, as far as I can recall) which Kevin and I worked up for Playmates when they were looking for ideas for animal mutants to be the Shredder's minions in the first year of the toy line.





I know I penciled the top drawing, and I'm pretty sure I penciled the bottom one too, which Kevin inked. It's too bad this character never made it to the toy shelves -- I think he would have been very cool! -- PL

Tuesday, December 2, 2008

Blast from the Past #46 repost: Alien Snake Hunter

Here’s another piece from 1983, the early days of Mirage Studios, pre-Turtles. Kevin and I did a bunch of these together. He would take various black and white drawings I had done, make copies of them, mount the copies on foam-core board, and proceed to apply his marvelous colors to them, usually Dr. Martin's dyes. Actually, it was in large part because we both liked the results so much that we decided to form Mirage Studios. Below is my original black and white art, then below that is Kevin's color version. -- PL


Sunday, November 30, 2008

Blast from the Past #45 repost: Portsmouth Minicon poster

This is the 8.5 by 14 inch photocopied "poster" that Kevin and I put together to promote our very first public appearance on May 5, 1984 with issue #1 of the TMNT comic. It was a small show at the Holiday Inn, put on by Ralph DiBernardo, in Portsmouth, NH, and we had a blast... even sold some books! It's somewhat bizarre to think that next May it will be twenty-five years since we sat there with our stacks of TMNT #1 first printings and hopeful faces. (At that point, I don't think we even thought about it as a "first printing" -- for all we knew, it would turn out to be the ONLY printing!) -- PL

Tuesday, October 21, 2008

Blast from the Past #29 repost: "Who is the Uknown Ninja?"

A fun little drawing done by Kevin and me in 1984, this features our robot character the Fugitoid dressed up as a ninja. Kevin pencilled this one, and I inked it. I don't think it was ever used for anything -- just another drawing done for the heck of it.



Looking at this again makes me think it could have been a lot of fun to do something like this in the comics. -- PL

Wednesday, October 15, 2008

Blast from the Past repost #25: "City at War" battle / pencils

This is a huge pencil piece (I think about 20" by 14") that I did from a rough sketch by Kevin, showing a battle scene representing events in the “City At War” story arc in the Mirage Volume 1 TMNT comics. I don’t think it was ever used for anything. It may have been intended for a wraparound cover to a collected reprint of the "City at War" stories, which never happened. -- PL

Friday, October 10, 2008

Blast from the Past #20 repost: Original Turtle Action Figure Prototypes

When, back in January of 1987, Kevin and I made our first trip out to Playmates Toys' offices in California to discuss plans for the proposed animated show and the toy line, we were shown two Turtle figure sculpts, illustrating two possible directions Playmates was considering for the look of the action figures. The first one we saw was this "chunky style" Turtle (below), very much in the style of the original "Masters of the Universe" action figures.





It was a nice sculpture (although the goofy cloth headband with the eyes drawn on it was kind of lame), but when we saw the second version (below, on the right) we were sold.



It was much closer to the way our Turtles looked in the comics, and as you can tell from the image, very close to the way the TMNT action figures eventually appeared. It's kind of scary to think of what the line would have been like if we had gone with the first version...! (These images are frame grabs from a VHS-C video recorded on a primitive lunchbox-sized video camera in the conference room at Playmates' offices. Trivia note: that's Kevin's hand in the images.) -- PL

Wednesday, October 1, 2008

Blast from the Past #96: Eastman/Dooney Barbarian Turtle



Here's a fun joint effort from back in 1986. This is something that Kevin Eastman penciled and Michael Dooney inked. It's similar to the drawing I posted as "Blast from the Past" #30 some years ago -- that one was a barbarian Turtle that I penciled and Mike inked. -- PL