Tuesday, August 18, 2009

Blast from the Past #216: Cereal mini-comics pencil roughs

I'm not sure how I got the job of doing these pencil roughs for the mini-comics that were packed into boxes of the "Teenage Mutant Ninja Turtles" cereal from Ralston-Purina -- possibly Kevin was busy or wasn't interested, or maybe I thought it would be fun and volunteered. Who knows? It's been so long, and it happened during a crazily busy period for Mirage and the Turtles.

In any event, there were three of these things, and they all linked together into one continuing story. If memory serves, I not only did these pencil roughs, but also finished pencils, which were then inked (by whom I can't remember, though it might have been Ryan Brown) and colored (by Steve Lavigne, I think). Wacky, but fun. -- PL

Pencil roughs for mini-comic #1


Pencil roughs for mini-comic #2


Pencil roughs for mini-comic #3

Thursday, August 6, 2009

Errata (with update 08-08-09 from Dan Berger)

According to dictionary.com, "errata" is defined as follows:

"a list of errors and their corrections inserted, usually on a separate page or slip of paper, in a book or other publication"

The new "TMNT Collected Book Volume One" (reprinting under one cover the first eleven issues of TMNT Volume 1, plus the four "One-Issue Micro-Series", as well as the one-shot "Fugitoid" comic) is beginning to appear in comic stores. Dan and Eric put together a great-looking book, and there aren't any pages out of order, but a few errors crept into this edition, all of them (or at least all of the ones I have so far found) in the text piece in the back of the book. I wish we could slip an "Errata" sheet into each copy, but given that the printer did such a nice job of wrapping each one in plastic, that is not feasible. So I figured I'd try to do it here.

1.) Page 599: There is a quote attributed to Kevin Eastman which includes a comment about why we gave the Turtles the names of Renaissance artists -- "...we didn't want to make up Japanese names because we thought they'd seem too strange to American readers." This was news to me, as I have always remembered it differently, and have said on many occasions that the reason we didn't give the Turtles Japanese names was that at the time, neither of us felt confident that we could come up with authentic-sounding and appropriately cool Japanese names for our main characters.
The idea that we felt Japanese names would "seem too strange to American readers" sounds bizarre and illogical to me, as we did use names of that sort for several characters (Hamato Yoshi, Oroku Nagi, Oroku Saki). Also, I think a compelling argument could be made that the names we finally DID use -- Leonardo, Raphael, Michelangelo, and Donatello -- might sound nearly equally strange to American ears.

2.) Page 599: In the third paragraph on this page, there is some description of how we worked on the first issue of TMNT, and some of the information is wrong.
Re: this line:

"Some pages were penciled by Kevin and inked by Peter, some pages were penciled by Peter and inked by Kevin."

This is wrong. In fact, on that issue, and most of the subsequent issues we worked on together, we made a strenuous effort to have each of us pencil and ink on every page. There may have been more penciling or inking  by one of us on one page than on another page, but our working method -- which, strangely, a lot of people seem to have a great deal of trouble grasping -- involved literally passing the pages back and forth in an attempt to get a true blending of our respective styles on each and every page.
The one possible exception to this process, at least in this first issue, might be the full page cityscape -- it's page nine in this collection -- which, when we were planning that first issue, I thought we didn't need, and argued with Kevin about it. He won the argument, the page was included, and I later came to agree that he had been right. When I look at that page now, I don't see my hand in it, at least in the inking. It is certainly possible that Kevin not only penciled that page by himself, but also inked it by himself. I really can't say for certain.
I suppose it's possible that there might be other pages in issue #1 where one of us inked the whole page, but I don't recall any, and it certainly wasn't the normal way we worked on that book.

Next, re: this line:

"Once the complete comic book was finished, they set out to find a publisher for it."

This is absolutely incorrect. Not only did we NOT look for a publisher for TMNT, I don't remember even THINKING about looking for a publisher. I believe that we were planning to self-publish right from the beginning.
It is true that the thing we had worked on right before TMNT -- the "Fugitoid" comic -- was a project that we had tried (and failed) to find a publisher for. It may have been that failure that helped to lead us to the conclusion that we might as well do it ourselves, and not have to endure that kind of rejection again.

3.) Page 600: The last paragraph on this page begins with this line:

"The first issue of the TMNT went to the printer on April 1, 1984... no foolin'!"

I'm not sure about this -- I have no memory of bringing the book to the printer on April Fool's Day, although I suppose it is possible we did. I may have some record of it in my old letters and such, but it seems unlikely, albeit possible.

4.) Pages 600-6001: After several paragraphs detailing how we worked with our printer and the various comics distributors, there follows this line:

"Kevin and Peter decided to name their new publishing company Mirage Studios; since there wasn't an actual studio (only kitchen tables and couches with lap boards), they thought that "Mirage" would be a fitting moniker."

While this statement is ALMOST correct (the nitpicker in me feels compelled to point out that we didn't work on the kitchen table, and we didn't use our lap boards on couches, but old stuffed chairs instead, in a room adjacent to the kitchen), its placement after the material discussing dealing with the printer and the distributors implies that we came up with the name "Mirage Studios" AFTER we had created the TMNT comic and dealt with the printer and the distributors.

This is incorrect. "Mirage Studios" had already existed for several months. It was a name Kevin and I had come up with to describe the illustration business we were hoping to make money from, wherein we would combine our respective drawing talents to do illustrations for newspapers, magazines, book covers, etc.. I recall that we came up with the name at a pizza parlor in Wells, Maine, after writing a short list of possible names on the back of a paper placemat. Sadly, Mirage Studios never made a penny doing illustration jobs for anyone else. Happily, the success of the TMNT later took the sting out of that failure.

5.) Page 601: In discussing how we promoted the first issue of TMNT, it is stated that we made up a press kit and sent it out to "...180 TV and radio stations". This is incorrect. We did send out about that many press kits, but they were mostly to print publications -- newspapers, magazines, and such. There were a few radio and TV stations included in that mix.
Also, it is stated a bit further on that "...PBS radio did a five minute story on the mutant terrapins..." I have no memory of "PBS radio" doing any kind of story -- it's possible that they did, but I never heard it. However, it IS true that the local PBS TV station (I think it was located in Durham, NH) did a roughly five minute-long story on us and the TMNT. I may even have a copy of that video somewhere, as -- if memory serves -- several years into the success of the TMNT, I contacted that station and requested a tape of that piece. (Happily, this also coincided with the emergence and increasing availability of the first wave of reasonably priced consumer VCRs! So I was able to buy the hardware which allowed me to watch that tape.)
Further down in this paragraph is the (mis)usage of the word "countless", in a line which reads in part "... a reporter from the UPI wrote a story about the Turtles that was picked up on the national wire and ran in countless newspapers  across the USA." The poor usage of this word -- which really means "an infinite number", not just "a lot", or "many" -- is one of my current pet peeves. Far too may writers abuse it, probably because it sounds cooler and more dramatic that saying "a lot" or "many".
FInally, there is this line:

"A second printing of the comic book [referring to TMNT #1] sold out of its print run of 5000 copies, and was followed shortly by a third printing that sold out a run of 35,000 issues."

The second printing of TMNT #1 was 6000 copies, not 5000. And the third printing was 35,000 COPIES, not ISSUES.

6.) Page 605: Finally, the goofiest error (in my opinion) is the misspelling of our state's name, Massachusetts, as "Massachusttes" in my biography section.

There may be other mistakes, but those were the ones I caught while reading through the new reprint. I just wish I had found them BEFORE it went to press! But that is totally my fault, as I did not think to proof this volume before it got printed. Live and learn...! -- PL

-----------------------------------------

(Update 08-08-09 from Dan Berger, commenting on the questions asked in the comments section:

"Howdy folks,

Peter asked me to address the questions here - and the answers are - 
it's my fault that the text is in there and it's my fault Peter didn't 
get to proof the book before it went to press. I apologize to everyone 
involved, particularly to Peter and Kevin since this book represents 
their work and it truly sickens me that I screwed up this latest 
collection, especially since it was released during the 25th 
anniversary. Peter is being kind when he takes any responsibility for 
not proofing the book - the truth is, I didn't give him the 
opportunity because I didn't think there would be anything that needed 
proofing (how wrong I was).

If you're interested in excuses, I used that text because we had a 
bunch of pages to fill at the last minute and I thought the "origin" 
story would be a great fit (we were originally just going to use the 
early art by Kevin and Peter from the deluxe reprint of #1, but I 
figured that text would be a nice addition to flesh things out). Sadly 
most of our projects go out the door at or after deadline due to a 
multitude of reasons that I'm not going to discuss publicly - but in 
the end, I'm to blame for this since I'm the managing editor. As to 
where the text came from, I have no idea. Back when we launched 
ninjaturtles.com in 1997, I used that text to post the "origin story" 
on the web site. Since that text had seemingly been approved at some 
point, I thought it was accurate (never assume). Regarding where the 
text originated, sadly I don't know who wrote it, why it was written 
or where it originally appeared (possibly it was a press release from 
the tenth anniversary that I got from the archives).

So once again, my sincere apologies to everyone for these errors 
seeing print. If only Renet could take me back in time, I'd definitely 
do things differently."

I think Dan's being perhaps a bit too hard on himself, but I appreciate both his frankness and his explanations. Thanks, DB! -- PL

Thursday, July 30, 2009

Blast from the Past 213: "The Good Ol' Days" in Sharon, CT

While looking for those old San Diego photos I posted last week, I also found these goodies from our days in Sharon, CT. These were taken at a time when we had not yet grasped the idea that, if we supplied a list of addresses and how many copies were supposed to go to which addresses, our printer could ship all of the books. Instead, we had the printer -- which at the time was in Lakeville, CT, one town over -- ship all the books to my rented house (or maybe we picked them up from the printer in my car, I can't remember). Here's a photo of Kevin taking a break on a stack of TMNT #2 in the living room of our house.



My wife didn't really care to have these boxes cluttering up the house, so we'd haul them down to the basement, where we'd begin the laborious job of counting out each order, then reboxing them to be shipped out to the various distributors. One of the reasons we did this instead of just depending on the count the printer put on the outside of each box was that we had discovered when looking through one of those early printings of TMNT #2 that it suffered from random bad trimming -- at some point in the binding and trimming process, something went wrong and some of the copies ended up trimmed at weird angles, rendering those copies unsaleable (and unreadable, in some cases). So, just to be sure none of our customers got any of these bad copies, we hand inspected each one before they went out. It was a giant pain in the butt.

Steve Lavigne moved down to Sharon around this time, becoming the first Mirage Studios employee. We put him to work helping us go through the boxes of comics, inspecting and counting and reboxing. Here he and Kevin are hard at work in the basement, packing copies of TMNT #3.



And here's Kevin doing the same thing with issue #2, in the living room.



But this grunt work wasn't the only thing occupying our time -- we also had to continue working on the drawing of the book itself. Here's Kevin working on issue #3 during the short time he lived with us in our rented house by Silver Lake.



Occasionally, the need would arise for goofy hijinks and silliness -- witness "Conehead Kevin".



Kevin would often do stuff like this, usually to make me laugh... and usually succeeding. -- PL

Wednesday, July 29, 2009

Blast from the Past #212: Archie TMNT Adventures #3 cover pencils and inks

Here's another Kevin Eastman-penciled cover to the Archie "TMNT Adventures" series that I inked. First, Kevin's pencils...



... followed by my inks.



I always find it interesting to note what gets changed during the inking stages. -- PL

Monday, July 27, 2009

Emily's musings on her first San Diego Comic-Con

Well, my daughter survived her first Comic-Con experience -- in fact, I think it's safe to say she really enjoyed herself, and so did her roommate Colleen, who attended Comic-Con with Em. I asked Em to write up something about their trip, and this is what she sent me, along with all of the photos. -- PL

The Wrath of Con

After months of planning and anticipation, our journey to our very first Comic-Con began very early Thursday morning. We left LA around 2 am, and with hardly anyone on the road, made it to San Diego a little after 4. Since we had been following Twitter updates about the Con, we were not totally shocked to see a line wrapping around Hall H when we arrived at the Convention Hall around quarter to 5 in the morning.



Almost a thousand people were already in line for the Friday New Moon panel: Some were sleeping on air mattresses, some had miniature flashlights and copies of the Twilight books...we even saw one party that had brought their own hookah to the line.



Three Starbucks trips later, we got into another line to get our Thursday badges. This one wrapped around the convention center and extended down the edge of the marina.

Finally, around 11 am, we were herded into Hall H and found seats around the middle of the hall, although there were still two more panels to watch before the New Moon panel began at 1:45. The Disney 3-D20panel showed clips from A Christmas Carol and Tron, but of course the most exciting moment was when Tim Burton surprised the audience by bringing Johnny Depp onstage during the Alice in Wonderland panel. When the Summit Entertainment panel brought the cast and director of New Moon onstage around 2, the screams were deafening.








Even though we were sleep deprived and had been waiting for almost ten hours, I have to say, the clips they showed definitely made it more than worth the wait! It was fun seeing the cast, and listening to their thoughts on the movies, but the clips were really the amazing part. Instead of just showing a trailer or some random part, they showed full clips of two pivotal scenes from the movie. Can't wait to see the movie in November!

After the panel, we checked into our hotel and had dinner with the Mirage team before getting some much-needed rest.

On Friday afternoon, we headed back to the convention center for the TMNT Panel. Thankfully we didn't have to camp out for hours to get in this time, but it really put things in perspective for me to see so many fans lined up for the panel, much like we had the day before. The energy and enthusiasm of the crowd was amazing, and all of the panelists (Gary Richardson, Kevin Eastman, Steve Barron, Scott Mednick, Galen Walker, Matt Leunig, and Llyod Goldfine) did a great job! I even got a little teary-eyed when they first started playing the music and the interview clips came on screen.



Of course, Friday night was the big TMNT 25 party and debut screening of "Turtles Forever". I have to echo everything my dad wrote about the movie in his previous entry... it really was amazing!



Saturday and Sunday were spent mostly wandering around the Exhibit hall...I still don't think we saw everything! We were tempted to buy the Twilight dolls, but resisted in favor of two old school TMNT posters which we will frame for our apartment ("Leonardo Leads" and "Raphael: Cool but Crude") and two t-shirts, a TMNT "Drug Free is the Way to Be" and a "It's Clobberin' Time" with the Thing.

Overall, it was a great, crazy weekend. San Diego is beautiful, and the Convention was ridiculous and so much fun... hopefully we will be back next year, now that we are officially Con veterans. It was great to see the Mirage crew, and to meet all of the many other people who have worked on the Ninja Turtles in all their various forms. And of course, it was a pleasure to meet some of the fans as well!

Cowabunga!
-Emily & Colleen


Here are some more photos from Em and Colleen's first Comic-Con:

Em with the "Turtle Documentary" crew



Em with Stan Sakai



Colleen and Em with Ernie Reyes, Jr.



Mirage dudes with Turtles



Em and Colleen with Turtles


Sunday, July 26, 2009

Blast from the Past #211: Archie TMNT Adventures #1 cover

Here's another penciled cover for the old Archie "TMNT Adventures" book, this one for the first issue. The pencils are by Kevin Eastman.



And here are the final inks, by yours truly. -- PL

Friday, July 24, 2009

"Turtles Forever"

About an hour ago, I had the pleasure of watching the completed "Turtles Forever" 25th Anniversary animated special (I got my DVD of it from 4Kids today), and I just have to say: Lloyd Goldfine is The Man! This is not in any way to diminish the efforts of any of the many other people who worked on it, but Lloyd busted his butt getting all the finishing touches done in time to bring it to ComiCon, and he did a great job. I had a grin on my face through the whole thing.

I had seen all the animation a couple of weeks ago, but at that time it still lacked most of the sound effects and music, as well as some special effects, and some of the voices were just "placeholders". It's amazing what a finished sound edit can do for a show like this.

I know the official unveiling of this project at ComiCon is still a few hours away, so I won't say any more. I just hope that any TMNT fans who are at ComiCon and get to see "Turtles Forever" will be generous with their applause for Lloyd and everyone else who worked on the special. -- PL