Yesterday my daughter Emily came home for Christmas, happily avoiding the many snowstorm-related flight delays that plagued many people over the last few days. That afternoon, we were able to continue our tradition of going out to buy a Christmas tree together.
Last night we, along with Em's friend Zach, worked to transform this naked tree...
... into the mighty "Fugitree"! As the idea of decorating the tree with vacuum-metalized Fugitoid figures was originally Em's idea, it seemed only appropriate that she should be involved in helping to hang the fifty shiny 'droids on the tree. Here she is -- slightly blurry -- hanging 'Toids on the tree.
We had a disagreement about what kinds of lights to put on the tree -- I wanted our usual mix of white and colored lights, while Em pressed for just white lights. In the end, we went with her idea, and I must say I now agree with her. She also bought a small selection of shiny silver globe-style ornaments to compliment the Fugitoids, and I think they work well. Here's a view of the whole finished tree...
... and a close-up...
... and Em, Zach and Louis posing with the Fugitree.
And finally, here's a shot of the tree as it looked in the light of day when I got up this morning.
I think it looks a little better at night, but still pretty darned cool either way. -- PL
Tuesday, December 22, 2009
Wednesday, December 16, 2009
Preparing for the Fugitree
A couple of days ago I decided it was time to start preparing for the creation of the "Fugitree" (as one of this blog's Commenters wittily named it). So I hauled in the huge box of "Fugitoid Collector Figures" from Playmates that I've had sitting out in the garage, and started the process.
It's drudge work, involving opening each small white cardboard box, carefully slicing open the little plastic bag, removing the Fugitoid, and affixing a loop of ornament-hanging wire around his neck. I'm not sure how may of these I'm going to do -- the big box holds one hundred Fugitoids, but I think the tree will look great with just half that number, maybe less. We'll see.
(I'm saving all of the packaging materials so that when Christmas is over and it's time to take the tree down, I can put each Fugitoid back into its little box.)
I've already done about twenty of the figures, and here's a photo of them in a large bowl I've borrowed from my wife.
Emily's little dog Louis, sitting on the couch, displays his total lack of interest. After all, Fugitoid Collector Figures, while chewable, are not edible. -- PL
It's drudge work, involving opening each small white cardboard box, carefully slicing open the little plastic bag, removing the Fugitoid, and affixing a loop of ornament-hanging wire around his neck. I'm not sure how may of these I'm going to do -- the big box holds one hundred Fugitoids, but I think the tree will look great with just half that number, maybe less. We'll see.
(I'm saving all of the packaging materials so that when Christmas is over and it's time to take the tree down, I can put each Fugitoid back into its little box.)
I've already done about twenty of the figures, and here's a photo of them in a large bowl I've borrowed from my wife.
Emily's little dog Louis, sitting on the couch, displays his total lack of interest. After all, Fugitoid Collector Figures, while chewable, are not edible. -- PL
Saturday, December 12, 2009
A "Team Mirage" set of toys? Not quite...
I was poking around in the storage space under my old studio today (looking for stocking stuffers, if you must know), and came across these two curiosities. I remember finding both of these sets in the mid-1990's at a local Toys 'R' Us (the Mirage dudes and I used to go to toy stores a lot back in those days), and being amused by the fact that this toy company had taken a photo of our Team Mirage-sponsored AMA Superbike roadracer, Dale Quarterley, and used it prominently on the packaging of these sets of "racing" toys. I'm not sure where they got the photo, although I know for certain that we didn't supply it to them. Here's a photo of the large set...
... and one of the small set...
... and a close-up of the photo of Dale (at speed on his Kawasaki race bike) which they used on both packages.
We never had any contact with the company which did this, and I have often wondered how they chose Dale, out of all the possible motorcycle racers around at the time, to decorate their packaging. Although it isn't terribly easy to see in this photo, Dale's bike DOES have the Team Mirage logo on its bodywork, as well as the abstract TMNT face design, and during those days of Team Mirage we made no secret of the TMNT connection. I wonder if the people behind this packaging saw that and thought they might get some mileage for their toys out of that connection.
I suspect not, mostly because it's not THAT obvious. I would guess that they just thought the image of Dale on his bike was cool and colorful (right on both counts) and would help to catch a kid's eye in the toy aisles. I have no idea how well these sets sold, or if the photo of Dale was used on any other packaging. -- PL
... and one of the small set...
... and a close-up of the photo of Dale (at speed on his Kawasaki race bike) which they used on both packages.
We never had any contact with the company which did this, and I have often wondered how they chose Dale, out of all the possible motorcycle racers around at the time, to decorate their packaging. Although it isn't terribly easy to see in this photo, Dale's bike DOES have the Team Mirage logo on its bodywork, as well as the abstract TMNT face design, and during those days of Team Mirage we made no secret of the TMNT connection. I wonder if the people behind this packaging saw that and thought they might get some mileage for their toys out of that connection.
I suspect not, mostly because it's not THAT obvious. I would guess that they just thought the image of Dale on his bike was cool and colorful (right on both counts) and would help to catch a kid's eye in the toy aisles. I have no idea how well these sets sold, or if the photo of Dale was used on any other packaging. -- PL
Tuesday, December 8, 2009
Blast from the Past #258: Another advent calendar Christmas card
I posted once before (http://plairdblog.blogspot.com/2008/12/merry-christmas-eve-day.html) about a personal Christmas card I made which incorporated an Advent calendar. I found another one -- it's undated, but judging from the style of drawing (especially the "old-school" Turtles), I would guess it was from December of 1984.
I drew the top part on coquille board. This card was pretty big -- each half was 8.1 by 11 inches, so when taped together in the middle, they made a folding card which was 22 inches wide and 8.5 inches high when opened. Here's what the card looked like when unfolded:
And here are the little surprises which would be found as each "door" in the card was opened:
I think this may have been the second and last of these cards that I did -- they just got to be too labor-intensive and time-consuming. But that being said, they were also a lot of fun. -- PL
I drew the top part on coquille board. This card was pretty big -- each half was 8.1 by 11 inches, so when taped together in the middle, they made a folding card which was 22 inches wide and 8.5 inches high when opened. Here's what the card looked like when unfolded:
And here are the little surprises which would be found as each "door" in the card was opened:
I think this may have been the second and last of these cards that I did -- they just got to be too labor-intensive and time-consuming. But that being said, they were also a lot of fun. -- PL
Labels:
advent calendar,
Christmas card,
Fugitoid,
Jeannine,
TMNT
Monday, December 7, 2009
Blast from the Past #257: Self-portrait as Turtle at a drawing board
I've done a few different cartoony self-portraits over the years, but I think this one -- drawn in 1988 -- may be my favorite. I can't recall if it was done for a specific reason, though I have a vague memory that it may have accompanied a print interview. Anyway, I like the drawing a lot, for some reason. -- PL
Friday, November 27, 2009
Blast from the Past #255: TMNT group shot
(I have the feeling that I've posted this before, though a quick search of the blog seems to indicate otherwise.)
This is a group shot I penciled and inked (with a brush) back in 1986. It was done, as far as I can recall, just for the heck of it. -- PL
This is a group shot I penciled and inked (with a brush) back in 1986. It was done, as far as I can recall, just for the heck of it. -- PL
Monday, November 23, 2009
Blast from the Past #254: Original "Mousers" idea
I recently found this in my archive of old, pre-TMNT stuff. It's an idea I had come up with for a story -- one I apparently planned to do in comic book form -- featuring a robotic rodent hunter called a "Mouser". Sound familiar?
This is, in fact, where the idea for Baxter Stockman's Mousers in issue #2 of the TMNT comic book came from. Of course, as TMNT fans well know, those Mousers ended up looking a lot different than the one roughly sketched out here.
I have to chuckle when I look at pieces like this -- not because of the content, per se, but because it reminds me of those days when I couldn't afford decent paper, and would use anything I had at hand to draw on, even really cheap typing paper. You can see in this one that I drew some stuff on the reverse side (I think it was notes and a sketch for a "Hampshire Life" drawing), which shows through the flimsy paper. -- PL
This is, in fact, where the idea for Baxter Stockman's Mousers in issue #2 of the TMNT comic book came from. Of course, as TMNT fans well know, those Mousers ended up looking a lot different than the one roughly sketched out here.
I have to chuckle when I look at pieces like this -- not because of the content, per se, but because it reminds me of those days when I couldn't afford decent paper, and would use anything I had at hand to draw on, even really cheap typing paper. You can see in this one that I drew some stuff on the reverse side (I think it was notes and a sketch for a "Hampshire Life" drawing), which shows through the flimsy paper. -- PL
Thursday, November 19, 2009
"Turtles Forever" to air this Saturday, November 21
This information has already been made widely available, but just in case any TMNT fans who read this blog are not aware of it yet, here it is:
"From 4Kids.tv:
“We’re excited to announce that the world premier of the “Turtles Forever” movie will take place on SATURDAY, NOVEMBER 21 at 10 a.m. on The CW4Kids TV. “Turtles Forever” will air on TV ONE TIME ONLY! Check your local listings. The classic Teenage Mutant Ninja Turtles from the 1980’s are back with a new adventure set in the present day with the Turtles of the 21st Century! Experience more TMNT action than ever before.* Keep checking the TMNT blog for new TMNT “Turtles Forever” details as we get closer to the “Turtles Forever” movie world premier! PLUS 4Kids.tv will be doing lots of fun “Turtles Forever” activities, Papercraft, exclusive trailers, and MUCH MORE!”
I'm very happy that this is finally happening -- I think you will find it was worth the wait! -- PL
"From 4Kids.tv:
“We’re excited to announce that the world premier of the “Turtles Forever” movie will take place on SATURDAY, NOVEMBER 21 at 10 a.m. on The CW4Kids TV. “Turtles Forever” will air on TV ONE TIME ONLY! Check your local listings. The classic Teenage Mutant Ninja Turtles from the 1980’s are back with a new adventure set in the present day with the Turtles of the 21st Century! Experience more TMNT action than ever before.* Keep checking the TMNT blog for new TMNT “Turtles Forever” details as we get closer to the “Turtles Forever” movie world premier! PLUS 4Kids.tv will be doing lots of fun “Turtles Forever” activities, Papercraft, exclusive trailers, and MUCH MORE!”
I'm very happy that this is finally happening -- I think you will find it was worth the wait! -- PL
Wednesday, November 18, 2009
Emily's TMNT thumbnail
Em was inspired a few days ago to craft this image of her favorite Turtle Leonardo's head on her thumbnail, painted on with fingernail polish.
I think she did a pretty good job! -- PL
I think she did a pretty good job! -- PL
Monday, November 16, 2009
Nothing like a big box of shiny robots to brighten up a fellow's day
Last week, I came into Mirage after a bicycle ride and found a large carton from Playmates in front of my office door.
Wonder of wonders, it was a box containing one hundred of the vacuum-metalized Fugitoid collector figures! Goongala! It even had some messages written on it by Gary and Mike.
It feels good to finally have in my possession a substantial number of these gleaming beauties. Kudos, once more, to Playmates for making a dream come true.
I mentioned the arrival of this bounty to my daughter the other night and she suggested that we decorate our Christmas tree this year with Fugitoids only. I said I thought it might be a hard sell, trying to convince my wife of the virtues of a Christmas tree laden with SAL-1000 'droids. But there will definitely be one or two of these shiny boys hanging on the old Yule tree this year. That vacuum-metalized coating will surely reflect the Christmas tree lights in interesting ways.
Mirage will be offering some of these figures for sale, but not for a while -- probably not until next year. But until then, you should be able to find them in some stores. Playmates tells us that they currently have Entertainment Earth (online retailer), Diamond Comics (distributor which services many different smaller retail shops), and Big Bad Toy Store (online retailer) signed on to carry these figures. -- PL
Wonder of wonders, it was a box containing one hundred of the vacuum-metalized Fugitoid collector figures! Goongala! It even had some messages written on it by Gary and Mike.
It feels good to finally have in my possession a substantial number of these gleaming beauties. Kudos, once more, to Playmates for making a dream come true.
I mentioned the arrival of this bounty to my daughter the other night and she suggested that we decorate our Christmas tree this year with Fugitoids only. I said I thought it might be a hard sell, trying to convince my wife of the virtues of a Christmas tree laden with SAL-1000 'droids. But there will definitely be one or two of these shiny boys hanging on the old Yule tree this year. That vacuum-metalized coating will surely reflect the Christmas tree lights in interesting ways.
Mirage will be offering some of these figures for sale, but not for a while -- probably not until next year. But until then, you should be able to find them in some stores. Playmates tells us that they currently have Entertainment Earth (online retailer), Diamond Comics (distributor which services many different smaller retail shops), and Big Bad Toy Store (online retailer) signed on to carry these figures. -- PL
Thursday, November 12, 2009
Blast from the Past #252: Leonardo pin-up drawing
From back in 1987, here's another pin-up drawing I did of Leonardo... inked with an actual brush. -- PL
Monday, November 9, 2009
1984-2009 TMNT commemorative print
A few months before the likely date for the sale of the TMNT to Nickelodeon, Gary had the idea that it would be nice for Mirage to produce a special, limited edition print commemorating Mirage's twenty-five year run with the Turtles, a print that would be sent to various business associates and friends. I agreed, and we bounced around a few ideas. I think Gary was originally considering using the image of the Turtles from their first two-page spread in the first issue of the comic book, where they are all leaping out toward the reader. I suggested that we use that (actually my redrawn version of those figures), but also suggested that I would do four new drawings representing each of those four figures as seen from behind. Thus, we would have the Turtles symbolically arriving in 1984 and leaving in 2009.
I set to work, thinking that it would be relatively easy to produce the reverse view by simply flipping the images over on a light table and tracing their outlines. While this was somewhat useful to get some basic body positions, I soon realized that it wouldn't totally do. What I had not thought through is that when perspective is factored in, various body parts -- like Leo's out-thrust right foot, for example -- would be larger in the view from the front, but smaller in the view from the back. This added significantly more time to the drawing, but eventually I ended up with something I was satisfied with.
I handed off the scans of the artwork to my friend Rob, who is also a graphic designer, and he put the final print together, after a few discussions about layout and type... and here it is. -- PL
I set to work, thinking that it would be relatively easy to produce the reverse view by simply flipping the images over on a light table and tracing their outlines. While this was somewhat useful to get some basic body positions, I soon realized that it wouldn't totally do. What I had not thought through is that when perspective is factored in, various body parts -- like Leo's out-thrust right foot, for example -- would be larger in the view from the front, but smaller in the view from the back. This added significantly more time to the drawing, but eventually I ended up with something I was satisfied with.
I handed off the scans of the artwork to my friend Rob, who is also a graphic designer, and he put the final print together, after a few discussions about layout and type... and here it is. -- PL
Thursday, November 5, 2009
Moving on
Ever since the first of the new TMNT toys based on the 2003 4Kids tv series started coming out, I've tacked them up on the walls of my office at Mirage (mostly just the figures, with a few veicles, accessories and playsets thrown in). I was inspired to do this by the example of Dan Berger, who had decorated his upstairs office with most (if not all) of the TMNT figures from the first wave. I had pretty much covered all of the available wall space a few years ago, and I had gotten used to having this kind of "wallpaper" of green in my office. Here's a view of one wall a couple of weeks ago:
But with the sale, and looking forward to a post-Turtles life, last week I thought it might be time to take the toys down and put them into storage. I hauled some boxes down to the office and started the process. It took me about three hours over the course of several days to get it done. I ran out of boxes near the end, so I have to bring some more down to pack everything up. Here's a view of the same wall as in the above photo, sans toys.
I will confess to a certain amount of melancholy in performing this task, even though I knew it had to be done. Although I had grown a little weary of the somewhat cluttered look of the walls in my office, they were cheerier than these now blank ones.
But with some spackle (to fill in the tack holes), a little sanding, and some fresh paint, things will look better. And maybe I'll be hanging some new artwork on these walls in the coming years. -- PL
But with the sale, and looking forward to a post-Turtles life, last week I thought it might be time to take the toys down and put them into storage. I hauled some boxes down to the office and started the process. It took me about three hours over the course of several days to get it done. I ran out of boxes near the end, so I have to bring some more down to pack everything up. Here's a view of the same wall as in the above photo, sans toys.
I will confess to a certain amount of melancholy in performing this task, even though I knew it had to be done. Although I had grown a little weary of the somewhat cluttered look of the walls in my office, they were cheerier than these now blank ones.
But with some spackle (to fill in the tack holes), a little sanding, and some fresh paint, things will look better. And maybe I'll be hanging some new artwork on these walls in the coming years. -- PL
Tuesday, November 3, 2009
Blast from the Past #248: A visit from the Governor
A dew days ago, Katie was going through some old files and found this cool photo from the late 1980's.
I can't remember all the details, but then-Governor of Massachusetts Michael Dukakis honored us with a visit at the old Mirage Studios space. It was a short, but long enough for a photo op. -- PL
I can't remember all the details, but then-Governor of Massachusetts Michael Dukakis honored us with a visit at the old Mirage Studios space. It was a short, but long enough for a photo op. -- PL
Thursday, October 29, 2009
Blast from the Past #246: Leonardo pinup drawing
Here's another pinup drawing from back in 1987 -- the year all the craziness started. One thing that's curious about this drawing is that I didn't draw the ends of both of Leo's swords, something I rarely did. I think it was probably down to poor planning on my part and the size of the paper I was drawing on. -- PL
Wednesday, October 28, 2009
Playmates' press release
My daughter, who is working for Playmates, sent me the following press release and asked if I would post it on my blog. How could I refuse? So here it is... -- PL
PLAYMATES TOYS SECURES MASTER GLOBAL TOY RIGHTS FOR TEENAGE MUTANT NINJA TURTLES WITH NICKELODEON
COSTA MESA - Oct. 29, 2009 - Playmates Toys is proud to announce its new global master toy agreement for the Teenage Mutant Ninja Turtles with Nickelodeon & Viacom Consumer Products (NVCP). The long-term partnership allows Playmates Toys to continue its phenomenally successful, 20-year tradition with the Turtles brand, which has generated $2 billion (at retail). This new alliance also lets Playmates Toys execute on its strategy to maximize global toy rights in partnership with renowned brands that leverage entertainment across multiple-media platforms worldwide.
"We are very excited about our new partnership with Nickelodeon, which broadens the scope of creative inspiration for Playmates," said Lou Novak, President, Playmates Toys. “We are proud to continue our long-standing commitment of making innovative, fun toys based on the beloved Turtles that have entertained generations of kids around the world."
"Our partnership with Playmates Toys adds another layer of excitement for us as we build upon the Turtles' great, funny stories and characters which have withstood the test of time," said Leigh Anne Brodsky, President, Nickelodeon & Viacom Consumer Products. "The characters have resonated around the world for 25 years, and the toys based on them are part of pop culture and continue to be relevant to today's kids."
About Playmates Toys
For over 40 years, Playmates Toys Inc. has been among the most well respected and innovative marketing and distribution companies in the global toy industry with a proven history in the creation of innovative and imaginative products as well as the development and management of profitable, long-term brand franchises. Key current and past brands include Paramount Studios/CBS STAR TREK, Warner Bros. TERMINATOR: SALVATION, Nickelodeon's TEENAGE MUTANT NINJA TURTLES, 4Kids Entertainment's YU-GI-OH! & DINOSAUR KING, Nickelodeon's iCARLY & H2O: Just Add Water, DISNEY Princess, DISNEY FAIRIES and Hallmark's RAINBOW BRITE. From its offices in Hong Kong, China and the United States, Playmates designs, develops markets and distributes its products in over 60 countries worldwide. For more information, visit http://www.playmatestoys.com Playmates Toys Inc. (HKSE-0869)
About Nickelodeon & Viacom Consumer Products
Nickelodeon & Viacom Consumer Products manages the world's third largest licensing business, representing leading properties such as SpongeBob SquarePants and Dora the Explorer, and managing merchandising for Nick Jr., Nickelodeon, Comedy Central, MTVN International, and Spike TV.
Nickelodeon, now in its 30th year, is the number-one entertainment brand for kids. It has built a diverse, global business by putting kids first in everything it does. The company includes television programming and production in the United States and around the world, plus consumer products, online, recreation, books, magazines and feature films. Nickelodeon's U.S. television network is seen in more than 99 million households and has been the number-one-rated basic cable network for 15 consecutive years. Nickelodeon and all related titles, characters and logos are trademarks of Viacom Inc. (NYSE: VIA, VIA.B).
PLAYMATES TOYS SECURES MASTER GLOBAL TOY RIGHTS FOR TEENAGE MUTANT NINJA TURTLES WITH NICKELODEON
COSTA MESA - Oct. 29, 2009 - Playmates Toys is proud to announce its new global master toy agreement for the Teenage Mutant Ninja Turtles with Nickelodeon & Viacom Consumer Products (NVCP). The long-term partnership allows Playmates Toys to continue its phenomenally successful, 20-year tradition with the Turtles brand, which has generated $2 billion (at retail). This new alliance also lets Playmates Toys execute on its strategy to maximize global toy rights in partnership with renowned brands that leverage entertainment across multiple-media platforms worldwide.
"We are very excited about our new partnership with Nickelodeon, which broadens the scope of creative inspiration for Playmates," said Lou Novak, President, Playmates Toys. “We are proud to continue our long-standing commitment of making innovative, fun toys based on the beloved Turtles that have entertained generations of kids around the world."
"Our partnership with Playmates Toys adds another layer of excitement for us as we build upon the Turtles' great, funny stories and characters which have withstood the test of time," said Leigh Anne Brodsky, President, Nickelodeon & Viacom Consumer Products. "The characters have resonated around the world for 25 years, and the toys based on them are part of pop culture and continue to be relevant to today's kids."
About Playmates Toys
For over 40 years, Playmates Toys Inc. has been among the most well respected and innovative marketing and distribution companies in the global toy industry with a proven history in the creation of innovative and imaginative products as well as the development and management of profitable, long-term brand franchises. Key current and past brands include Paramount Studios/CBS STAR TREK, Warner Bros. TERMINATOR: SALVATION, Nickelodeon's TEENAGE MUTANT NINJA TURTLES, 4Kids Entertainment's YU-GI-OH! & DINOSAUR KING, Nickelodeon's iCARLY & H2O: Just Add Water, DISNEY Princess, DISNEY FAIRIES and Hallmark's RAINBOW BRITE. From its offices in Hong Kong, China and the United States, Playmates designs, develops markets and distributes its products in over 60 countries worldwide. For more information, visit http://www.playmatestoys.com Playmates Toys Inc. (HKSE-0869)
About Nickelodeon & Viacom Consumer Products
Nickelodeon & Viacom Consumer Products manages the world's third largest licensing business, representing leading properties such as SpongeBob SquarePants and Dora the Explorer, and managing merchandising for Nick Jr., Nickelodeon, Comedy Central, MTVN International, and Spike TV.
Nickelodeon, now in its 30th year, is the number-one entertainment brand for kids. It has built a diverse, global business by putting kids first in everything it does. The company includes television programming and production in the United States and around the world, plus consumer products, online, recreation, books, magazines and feature films. Nickelodeon's U.S. television network is seen in more than 99 million households and has been the number-one-rated basic cable network for 15 consecutive years. Nickelodeon and all related titles, characters and logos are trademarks of Viacom Inc. (NYSE: VIA, VIA.B).
Monday, October 26, 2009
Some thoughts on the future
It seems, paradoxically, that it has been both a really short time and a very long time since the deal with Nickelodeon was finalized and announced, but in reality it's only been about a week. In that time, I -- and the folks at Mirage -- have gone through a lot of different thoughts and feelings, but the one thing that seems to be common to all is that it is going to take some significant time to come to grips with all of the changes that this sale has wrought.
I was just chatting with Jim Lawson about this, and realized that it has been a very long time -- not the whole twenty-five years of the Turtles' existence, but definitely the greater portion of that time -- since I was NOT the person (or one of two people, when Kevin was my partner in Mirage) who was responsible for the Turtles and their "empire". It's been so long that I don't even remember what it felt like to not have that responsibility. And now I don't have that responsibility, and I realize that it is a very strange feeling... not a bad one, but a strange one. It's going to take some time to get used to it again.
One thing that is becoming clear to me is that, right now, I need to really step back from Turtle stuff. I am feeling strongly that I need to distance myself from the TMNT to truly grasp what has happened, and become accustomed to it.
With that in mind, I have to say that it is likely that any new TMNT comics coming from me/Mirage (under the "reserved rights" clause negotiated in the sale) are probably not going to be seen anytime soon. Although I do have the right to publish up to eighteen issues of TMNT comics per year, it is highly unlikely that I will do that right away. In all honesty, the idea of doing ANY new Turtle stuff right now leaves me cold.
I need to get away from it.
During the negotiation, I asked for those "reserved rights" because, on some very basic, gut level, after putting so much of my life into the TMNT property over twenty-five years, I wanted to walk away from it with roughly the same deal with which I walked into it -- the freedom to do some TMNT comics. But I also have the freedom to NOT do them.
I can't guarantee when -- or even if -- Mirage will produce new TMNT comics again. It is most likely that the next TMNT comic thing I work on will be the conclusion of TMNT Volume 4, but at this moment I can't even guarantee when -- or if -- I will do that. It's too soon to make those plans. -- PL
I was just chatting with Jim Lawson about this, and realized that it has been a very long time -- not the whole twenty-five years of the Turtles' existence, but definitely the greater portion of that time -- since I was NOT the person (or one of two people, when Kevin was my partner in Mirage) who was responsible for the Turtles and their "empire". It's been so long that I don't even remember what it felt like to not have that responsibility. And now I don't have that responsibility, and I realize that it is a very strange feeling... not a bad one, but a strange one. It's going to take some time to get used to it again.
One thing that is becoming clear to me is that, right now, I need to really step back from Turtle stuff. I am feeling strongly that I need to distance myself from the TMNT to truly grasp what has happened, and become accustomed to it.
With that in mind, I have to say that it is likely that any new TMNT comics coming from me/Mirage (under the "reserved rights" clause negotiated in the sale) are probably not going to be seen anytime soon. Although I do have the right to publish up to eighteen issues of TMNT comics per year, it is highly unlikely that I will do that right away. In all honesty, the idea of doing ANY new Turtle stuff right now leaves me cold.
I need to get away from it.
During the negotiation, I asked for those "reserved rights" because, on some very basic, gut level, after putting so much of my life into the TMNT property over twenty-five years, I wanted to walk away from it with roughly the same deal with which I walked into it -- the freedom to do some TMNT comics. But I also have the freedom to NOT do them.
I can't guarantee when -- or even if -- Mirage will produce new TMNT comics again. It is most likely that the next TMNT comic thing I work on will be the conclusion of TMNT Volume 4, but at this moment I can't even guarantee when -- or if -- I will do that. It's too soon to make those plans. -- PL
Sunday, October 25, 2009
Blast from the Past #245: Pencils for cover of "TMNT Adventures" #37
I remember that doing this cover was extra fun for me because at the time I was into watching wrestling (WWF and WCW) on TV while I worked. -- PL
Saturday, October 24, 2009
A few more musings about the sale -- or, more to the point, about reactions to the sale
I've been reading a lot of the comments here and elsewhere on the Web about my recent sale of the TMNT property to Viacom, and a few repeated themes are emerging, almost all of them indicating a woeful lack of basic comprehension of business realities. I have been pondering whether I should try to respond to these comments in an effort to enlighten (as best I can), though I suspect that it could be the classic "exercise in futility", given the obvious absence of a common frame of reference. But I'll give it a shot.
1.) I just don't get all the negative crap that some people have spewed about Gary Richardson, CEO of Mirage. I've worked with the man for over fifteen years, and have found him to be an honest, ethical, hard-working person. We occasionally have not seen eye-to-eye, but that has usually been the result of the divergence of views predicated by the two very different career paths we each took after college, me as an artist/illustrator and Gary as (originally) an accountant. Kind of a left brain, right brain kind of thing.
I don't think it's an exaggeration to say that, without Gary, Mirage may not have survived as long as it has. His level-headedness, knowledge of business, and facility with numbers -- among other skills -- really made a huge difference in the day-to-day running of Mirage. Gary also has an excellent memory and strong organizational skills, which -- if you are going to run a company like Mirage which owned a complex property like the TMNT, with hundreds of contracts with a wide range of licensees all over the world -- are absolutely necessary qualities. The work Gary has done to keep all of that stuff straight and running smoothly is, I think, vastly under-appreciated and poorly comprehended by many people, and particularly the world of TMNT fandom at large.
And the idea that this sale was some sneaky deal cooked up by Gary and somehow foisted upon me is not only ludicrous but insulting to all concerned. It is simply beyond stupid.
2.) Another oft-repeated comment is something to the effect of "Why'd you have to SELL it? Why didn't you just let somebody run it for you, while you went off and did whatever?"
I suppose there are some people in the world who have the ability to compartmentalize their lives in such a way as to be able to shut off concerns about certain key, important things. Personally, I have trouble doing that. It's actually a measure of the confidence I have had in Gary's competence at running Mirage that I was able to let go of concerns about many things having to do with the operation of the business. But there have always been certain aspects of the TMNT business that I could NOT let go of, and Gary understood this, and would always consult with me about them and get my "yes" or "no" before moving on them.
And these would be the things that, regardless of who took over running Mirage for me, I would STILL worry and fret about. It's just my nature. That's why the idea of a sale of the TMNT, with a clean, unequivocal relinquishment of all TMNT-associated responsibilities, was -- and is -- so appealing to me.
3.) Another common comment is that this deal "came out of nowhere" and "happened so fast". I can understand how it may have SEEMED that way to an outside observer, but nothing could be further from the truth. Not only has the idea, the concept of a sale of the TMNT been percolating in my brain for at least the last decade, the actual work on this deal with Viacom has been going on for many months. It was a complicated, grueling negotiation with thousands of details to consider. Even Gary came close to tearing his hair out several times.
And it is a generally-accepted fact of business that when you are negotiating this kind of deal, you don't talk about it in public until the deal is done. One of the things that has been tying my stomach in knots over the long course of this negotiation was that I could not tell my friends and fellow artists at Mirage about it, until roughly a week or so before the actual closing. That was tough.
4.) "You got ripped off -- TMNT's worth WAY more than 60 million!" This is another comment which has been repeated... of course, it is also one which is stated with no facts to back it up. Please keep in mind that I had consulted with smart advisers who know about this kind of stuff, who had studied and researched how to evaluate the dollar value of a property like TMNT in real-world terms.
In one sense, it's kind of flattering that people would think it's worth a lot more... but it also reveals a profound naiveté about the realities of business.
5.) One of the most aggravating comments is the one which can be summed up as "How could you sell TMNT?!!! I would never sell MY property!" That's a very interesting assertion. My immediate reaction is "Great... but come back to me after you've spent twenty-five years living and working with that property to the almost total exclusion of anything else, and then I just MIGHT be able to take you seriously."
People who make this type of comment just have no clue about what it is like to be involved like I was with a property like TMNT for so long. And it is that blithe cluelessness which allows them to make such bold claims.
Finally, I'd like to thank those people who have posted thoughtful comments on this blog in the last few days. It means a lot to see that many of you DO understand what I've done with this sale, and appreciate the many years of TMNT that have passed under the auspices of Mirage... and look forward to the future of TMNT with its new owner. -- PL
1.) I just don't get all the negative crap that some people have spewed about Gary Richardson, CEO of Mirage. I've worked with the man for over fifteen years, and have found him to be an honest, ethical, hard-working person. We occasionally have not seen eye-to-eye, but that has usually been the result of the divergence of views predicated by the two very different career paths we each took after college, me as an artist/illustrator and Gary as (originally) an accountant. Kind of a left brain, right brain kind of thing.
I don't think it's an exaggeration to say that, without Gary, Mirage may not have survived as long as it has. His level-headedness, knowledge of business, and facility with numbers -- among other skills -- really made a huge difference in the day-to-day running of Mirage. Gary also has an excellent memory and strong organizational skills, which -- if you are going to run a company like Mirage which owned a complex property like the TMNT, with hundreds of contracts with a wide range of licensees all over the world -- are absolutely necessary qualities. The work Gary has done to keep all of that stuff straight and running smoothly is, I think, vastly under-appreciated and poorly comprehended by many people, and particularly the world of TMNT fandom at large.
And the idea that this sale was some sneaky deal cooked up by Gary and somehow foisted upon me is not only ludicrous but insulting to all concerned. It is simply beyond stupid.
2.) Another oft-repeated comment is something to the effect of "Why'd you have to SELL it? Why didn't you just let somebody run it for you, while you went off and did whatever?"
I suppose there are some people in the world who have the ability to compartmentalize their lives in such a way as to be able to shut off concerns about certain key, important things. Personally, I have trouble doing that. It's actually a measure of the confidence I have had in Gary's competence at running Mirage that I was able to let go of concerns about many things having to do with the operation of the business. But there have always been certain aspects of the TMNT business that I could NOT let go of, and Gary understood this, and would always consult with me about them and get my "yes" or "no" before moving on them.
And these would be the things that, regardless of who took over running Mirage for me, I would STILL worry and fret about. It's just my nature. That's why the idea of a sale of the TMNT, with a clean, unequivocal relinquishment of all TMNT-associated responsibilities, was -- and is -- so appealing to me.
3.) Another common comment is that this deal "came out of nowhere" and "happened so fast". I can understand how it may have SEEMED that way to an outside observer, but nothing could be further from the truth. Not only has the idea, the concept of a sale of the TMNT been percolating in my brain for at least the last decade, the actual work on this deal with Viacom has been going on for many months. It was a complicated, grueling negotiation with thousands of details to consider. Even Gary came close to tearing his hair out several times.
And it is a generally-accepted fact of business that when you are negotiating this kind of deal, you don't talk about it in public until the deal is done. One of the things that has been tying my stomach in knots over the long course of this negotiation was that I could not tell my friends and fellow artists at Mirage about it, until roughly a week or so before the actual closing. That was tough.
4.) "You got ripped off -- TMNT's worth WAY more than 60 million!" This is another comment which has been repeated... of course, it is also one which is stated with no facts to back it up. Please keep in mind that I had consulted with smart advisers who know about this kind of stuff, who had studied and researched how to evaluate the dollar value of a property like TMNT in real-world terms.
In one sense, it's kind of flattering that people would think it's worth a lot more... but it also reveals a profound naiveté about the realities of business.
5.) One of the most aggravating comments is the one which can be summed up as "How could you sell TMNT?!!! I would never sell MY property!" That's a very interesting assertion. My immediate reaction is "Great... but come back to me after you've spent twenty-five years living and working with that property to the almost total exclusion of anything else, and then I just MIGHT be able to take you seriously."
People who make this type of comment just have no clue about what it is like to be involved like I was with a property like TMNT for so long. And it is that blithe cluelessness which allows them to make such bold claims.
Finally, I'd like to thank those people who have posted thoughtful comments on this blog in the last few days. It means a lot to see that many of you DO understand what I've done with this sale, and appreciate the many years of TMNT that have passed under the auspices of Mirage... and look forward to the future of TMNT with its new owner. -- PL
Wednesday, October 21, 2009
Musings about the sale
This evening, my daughter Emily wisely advised me to make a statement about the MTVN/Viacom/Nickelodeon buyout of the TMNT property on my blog... so I am going to try to do that. I suspect it won't be the last statement I will make about this subject.
I will try to touch on some of the things that folks have inquired about, but I can't guarantee that all questions will be answered.
First, why did I sell the TMNT? There are a number of reasons, but first and foremost is that I have been doing this TMNT thing for twenty-five years, sixteen of them in partnership with TMNT co-creator Kevin Eastman and the last nine as sole owner of the property. That is a long time. It is almost half my life (I'm 55). I never expected to be working on the same thing for this long. And it has worn me down. I am no longer that guy who carries his sketchbook around with him and draws in it every chance he gets. That guy did all of the pre-TMNT artwork you have been seeing on this blog in many of my "Blast from the Past" posts.
I miss -- I really, really miss -- being that guy.
My fervent hope is that by divesting myself of this wonderful but needful-of-constant-attention property, I might -- I just MIGHT -- get back to being that guy. Or something LIKE that guy.
It will come as no surprise to anyone who has been paying attention that my energy level for things TMNT has flagged in these last few years. As one result, the production of TMNT Volume 4 comics has slowed to a crawl. That's not good. I have a conclusion planned out for that series, and at some point I want to get to it. Maybe this sale will help me get to that point. We'll see.
The idea of a sale of the TMNT property to a third party is not a new one. Kevin and I, while we were still partners, discussed it during the 1990's and actually came to the conclusion that if the right deal came our way, we would take it. We got a couple of offers -- one of which was, in retrospect, pretty decent, and another which was simply ludicrous and insulting. We took neither of them. This one, this sale which was completed on Monday of this week, came out of the blue. I was not actively pursuing selling the property, though Gary (CEO of Mirage) and Fred (my attorney) knew that it was something I might be interested in should the right buyer with the right deal come my way. And then Viacom/MTVN/Nickelodeon showed interest and we started talking.
I've known for a long time that at some point in my life I would sell the TMNT. I just wasn't sure when it would happen. But, as they say, in this case "the stars lined up".
I know that many fans are concerned with how the TMNT will be treated now that they have a new owner. I am also concerned, but I have faith that the new owner will treat the property with due respect and make the most of it. And the simple fact is -- I didn't have it in me any more, and the property DESERVED a new owner. Now it has one, with powerful roots in the entertainment business. I am actually quite excited to see where they take TMNT.
I am pretty certain that what Viacom/MTVN/Nickelodeon will do with the TMNT is NOT going to be what I would have done with it had I kept ownership. But is that necessarily bad? I think not. For example, if Kevin and I had had our way back in 1987, the original TMNT animated series would have been a lot different. It would probably have been a lot more like the 2003 4Kids show. Now, I really like the newer 4Kids series, but I also know that many fans much prefer the lighter, goofier original series. I don't know what the new Nickelodeon series will be like... but maybe it will be something better than either of the old shows, or simply something new and different, with a fresh approach and attitude. I think everyone should wait and see before passing judgment.
One comment -- which I have seen online several times -- expresses the sentiment that this sale will mean "the end of TMNT". This baffles me. Unless I am completely naive, the sale to Viacom could very well mean a brighter future for the TMNT property than was previously feasible.
On a final note (at least for this statement), please understand that I sold the TMNT property, not Mirage Studios. Mirage still exists, and it's still my company. It just doesn't own the TMNT intellectual property anymore. I'm not sure what its future will be. For a little while, it will be helping with the transition of TMNT over to its new owners. But after that...? I don't know. What I am hoping, however, is that this little core group of creators sticks together, both as friends and collaborators. And I think that is certainly possible. -- PL
I will try to touch on some of the things that folks have inquired about, but I can't guarantee that all questions will be answered.
First, why did I sell the TMNT? There are a number of reasons, but first and foremost is that I have been doing this TMNT thing for twenty-five years, sixteen of them in partnership with TMNT co-creator Kevin Eastman and the last nine as sole owner of the property. That is a long time. It is almost half my life (I'm 55). I never expected to be working on the same thing for this long. And it has worn me down. I am no longer that guy who carries his sketchbook around with him and draws in it every chance he gets. That guy did all of the pre-TMNT artwork you have been seeing on this blog in many of my "Blast from the Past" posts.
I miss -- I really, really miss -- being that guy.
My fervent hope is that by divesting myself of this wonderful but needful-of-constant-attention property, I might -- I just MIGHT -- get back to being that guy. Or something LIKE that guy.
It will come as no surprise to anyone who has been paying attention that my energy level for things TMNT has flagged in these last few years. As one result, the production of TMNT Volume 4 comics has slowed to a crawl. That's not good. I have a conclusion planned out for that series, and at some point I want to get to it. Maybe this sale will help me get to that point. We'll see.
The idea of a sale of the TMNT property to a third party is not a new one. Kevin and I, while we were still partners, discussed it during the 1990's and actually came to the conclusion that if the right deal came our way, we would take it. We got a couple of offers -- one of which was, in retrospect, pretty decent, and another which was simply ludicrous and insulting. We took neither of them. This one, this sale which was completed on Monday of this week, came out of the blue. I was not actively pursuing selling the property, though Gary (CEO of Mirage) and Fred (my attorney) knew that it was something I might be interested in should the right buyer with the right deal come my way. And then Viacom/MTVN/Nickelodeon showed interest and we started talking.
I've known for a long time that at some point in my life I would sell the TMNT. I just wasn't sure when it would happen. But, as they say, in this case "the stars lined up".
I know that many fans are concerned with how the TMNT will be treated now that they have a new owner. I am also concerned, but I have faith that the new owner will treat the property with due respect and make the most of it. And the simple fact is -- I didn't have it in me any more, and the property DESERVED a new owner. Now it has one, with powerful roots in the entertainment business. I am actually quite excited to see where they take TMNT.
I am pretty certain that what Viacom/MTVN/Nickelodeon will do with the TMNT is NOT going to be what I would have done with it had I kept ownership. But is that necessarily bad? I think not. For example, if Kevin and I had had our way back in 1987, the original TMNT animated series would have been a lot different. It would probably have been a lot more like the 2003 4Kids show. Now, I really like the newer 4Kids series, but I also know that many fans much prefer the lighter, goofier original series. I don't know what the new Nickelodeon series will be like... but maybe it will be something better than either of the old shows, or simply something new and different, with a fresh approach and attitude. I think everyone should wait and see before passing judgment.
One comment -- which I have seen online several times -- expresses the sentiment that this sale will mean "the end of TMNT". This baffles me. Unless I am completely naive, the sale to Viacom could very well mean a brighter future for the TMNT property than was previously feasible.
On a final note (at least for this statement), please understand that I sold the TMNT property, not Mirage Studios. Mirage still exists, and it's still my company. It just doesn't own the TMNT intellectual property anymore. I'm not sure what its future will be. For a little while, it will be helping with the transition of TMNT over to its new owners. But after that...? I don't know. What I am hoping, however, is that this little core group of creators sticks together, both as friends and collaborators. And I think that is certainly possible. -- PL
Tuesday, October 20, 2009
Blast from the Past #244: Pencils for cover of "TMNT Adventures" #40
Of the covers that I penciled for the Archie Comics-published "TMNT Adventures" book, this is one of my favorites.
The layout was inspired by my memory of the great Jim Steranko "Incredible Hulk" cover from "HULK King-Size Special #1" in 1968. -- PL
The layout was inspired by my memory of the great Jim Steranko "Incredible Hulk" cover from "HULK King-Size Special #1" in 1968. -- PL
Saturday, October 17, 2009
Into the archives
Last week, my wife and I had a treat -- our daughter Emily came home for a short visit. Em and I managed to find time to eat dinner at her favorite restaurant, Bertucci's, and go to see the movie "Zombieland", which was pretty funny.
But Em also wanted to go out to my old studio -- or more specifically, to the storage space under the studio -- to look for some select vintage TMNT swag with which to decorate her cubicle at Playmates. We spent about an hour going through boxes of old stuff, some of it organized (all of those white boxes on the shelves in this photo have labels saying what is inside each one -- part of an organizing project started -- with Em's help -- about eight years ago and never finished)...
... and a lot of it not, as in the stacks of old Playmates shipping cartons behind Em in this photo of her with a couple of plush Turtles.
She eventually found enough interesting things to fill a few shopping bags. Before we left, I amused her by pointing out my stacks of old motorcycle magazines -- some of which I have saved from my high school days.
I'm such a pack rat. One of these days, I've got to go through all this stuff and do a serious winnowing. -- PL
But Em also wanted to go out to my old studio -- or more specifically, to the storage space under the studio -- to look for some select vintage TMNT swag with which to decorate her cubicle at Playmates. We spent about an hour going through boxes of old stuff, some of it organized (all of those white boxes on the shelves in this photo have labels saying what is inside each one -- part of an organizing project started -- with Em's help -- about eight years ago and never finished)...
... and a lot of it not, as in the stacks of old Playmates shipping cartons behind Em in this photo of her with a couple of plush Turtles.
She eventually found enough interesting things to fill a few shopping bags. Before we left, I amused her by pointing out my stacks of old motorcycle magazines -- some of which I have saved from my high school days.
I'm such a pack rat. One of these days, I've got to go through all this stuff and do a serious winnowing. -- PL
Wednesday, October 14, 2009
Blast from the Past #242: Cover pencils from "Archie TMNT Adventures" #32
This is the cover to issue #32 of the "TMNT Adventures" comic published by Archie Comics. I drew it in 1991.
When I was getting this image ready to post, I was thinking that the very clean pencils probably meant that I had "cyberinked" it for publication. But when I searched online to make sure that I had the correct issue number, I discovered that Dan Berger was also credited for the cover art. I'm not sure if this means he inked it, or colored it, or added stuff to it (I think I saw a tattoo or two on the sumo wrestler Tattoo in the printed cover that I didn't have in the pencils). Maybe Dan will see this post and provide some clarity. -- PL
When I was getting this image ready to post, I was thinking that the very clean pencils probably meant that I had "cyberinked" it for publication. But when I searched online to make sure that I had the correct issue number, I discovered that Dan Berger was also credited for the cover art. I'm not sure if this means he inked it, or colored it, or added stuff to it (I think I saw a tattoo or two on the sumo wrestler Tattoo in the printed cover that I didn't have in the pencils). Maybe Dan will see this post and provide some clarity. -- PL
Monday, October 12, 2009
"Chet"
Keen-eyed readers of the original Eastman and Laird TMNT comics probably are aware that the name "Chet" pops up quite a few times in those issues. There was really no reason other than the fact that, for some reason, at that time, Kevin and I found the name humorous. I don't really know why.
I was bicycling up to Florence today, and scrawled on one of the newly-paved portions of the bike path I saw this:
I actually had to double-back and look at it again to make sure I wasn't imagining it. Chet rules! -- PL
I was bicycling up to Florence today, and scrawled on one of the newly-paved portions of the bike path I saw this:
I actually had to double-back and look at it again to make sure I wasn't imagining it. Chet rules! -- PL
Sunday, October 4, 2009
Blast from the Past #236: Steve Bissette pencils for "Turtle Soup" cover
I can't recall precisely when this single issue of "Turtle Soup" -- an anthology of TMNT stories by a varied group of creators -- was published, but I suspect it was during that fertile period of the late 1980's.
We managed to convince Steve Bissette of "Swamp Thing" fame to pencil the cover for the book, and he turned in this typically awesome and Bissettian masterpiece. I had the pleasure of inking it, and I believe Kevin applied the colors for the finished piece which was printed. -- PL
We managed to convince Steve Bissette of "Swamp Thing" fame to pencil the cover for the book, and he turned in this typically awesome and Bissettian masterpiece. I had the pleasure of inking it, and I believe Kevin applied the colors for the finished piece which was printed. -- PL
Labels:
Blast from the Past,
pencil,
Steve Bissette,
TMNT,
Turtle Soup
Friday, October 2, 2009
Blast from the Past #235: Promo poster for TMNT/Cerebus crossover issue
This is a bit of an odd one. We produced this poster to promote the publication of TMNT #8, the issue which featured a crossover adventure with Dave Sim's great character Cerebus the Aardvark. Kevin Eastman was a huge fan of Cerebus and Sim, and really pushed hard to get this project together. Dave was amenable to it, and turned in some great stuff -- he did all the drawing of Cerebus in that issue as well as Cerebus' very witty dialogue.
As I recall, for some reason Kevin only penciled this image, and I got the job of not only inking it but coloring it as well. This was pretty unusual, as typically Kevin would handle color jobs of this nature. And given that this one involved Cerebus, it's especially surprising he didn't do this one. I don't remember all the details as to how I ended up doing this work, but it was fun, and I used a technique I was enjoying at the time of using acetate overlays to do wacky color backgrounds, mixing various color inks with salt to achieve some interesting effects. -- PL
As I recall, for some reason Kevin only penciled this image, and I got the job of not only inking it but coloring it as well. This was pretty unusual, as typically Kevin would handle color jobs of this nature. And given that this one involved Cerebus, it's especially surprising he didn't do this one. I don't remember all the details as to how I ended up doing this work, but it was fun, and I used a technique I was enjoying at the time of using acetate overlays to do wacky color backgrounds, mixing various color inks with salt to achieve some interesting effects. -- PL
Tuesday, September 29, 2009
TMNT 25th Anniversary "Party Bus"
We had a treat yesterday -- the TMNT 25th Anniversary "Party Bus" stopped by Mirage on its way back to the garage from which it originated. This was the first time I had actually seen it up close, and it was pretty cool. The dressing of the bus to make it look like the "party wagon" from the original tv series and toyline was quite well done. Here's a photo I took of the bus parked near the office.
Everyone who was at Mirage that morning either working or visiting came outside to check out the bus. From left to right: me, Mike, Rick, Kendall, Katie, the guy who played Michelangelo at the tour stops, Gary, Dan, the driver of the bus, Dave, and Jim. -- PL
Everyone who was at Mirage that morning either working or visiting came outside to check out the bus. From left to right: me, Mike, Rick, Kendall, Katie, the guy who played Michelangelo at the tour stops, Gary, Dan, the driver of the bus, Dave, and Jim. -- PL
Friday, September 25, 2009
Blast from the Past #231: Cover of second Palladium Books TMNT roleplaying game book
This is the black and white drawing Kevin Eastman did as the basis for a finished color piece that was used on the cover of the second TMNT role-playing game book published by Palladium Books back in the 1980's. I believe the title was "Teenage Mutant Ninja Turtles Adventures".
I think this is one of Kevin's best cover layout designs, and the color version was very cool. But I always found the Foot ninja in the skirt (in the foreground on the left side) kind of odd. -- PL
I think this is one of Kevin's best cover layout designs, and the color version was very cool. But I always found the Foot ninja in the skirt (in the foreground on the left side) kind of odd. -- PL
Friday, September 18, 2009
Blast from the Past #227: Sorceress with flock of little Turtles
I have this nagging feeling that I've posted this before, but I did a few searches and couldn't find it. So what the heck... here it is again (maybe)...
I can't remember exactly why I drew this, but I was probably in a whimsical mood at the time. There's no date on the drawing, but were I to guess I'd place it in the late 1980's. -- PL
I can't remember exactly why I drew this, but I was probably in a whimsical mood at the time. There's no date on the drawing, but were I to guess I'd place it in the late 1980's. -- PL
Wednesday, September 16, 2009
Blast from the Past #226: Mutants for Playmates Toys
I have a feeling some of this art may have been posted before, but not in this form. This was a small "Rogue's Gallery" of mutant villains that we put together as an idea for Playmates early on. I penciled these guys and Kevin inked them.
I kind of like the looks of these characters, especially the alternate takes on Bebop and Rocksteady. -- PL
I kind of like the looks of these characters, especially the alternate takes on Bebop and Rocksteady. -- PL
Monday, September 14, 2009
"Quest for Dreams Lost" pencils
I penciled these layouts for "Quest for Dreams Lost", a one shot benefit comic (a fundraiser for the Literacy Volunteers of Chicago), back in 1986 or 1987. "Quest" was published in 1987, with all proceeds going to aid the LVOC. A number of other independent comics creators also provided stories featuring their characters searching for famous artifacts associated with literature. In this case, the Turtles were looking for King Arthur's sword Excalibur.
If memory serves (and I offer the caveat that I have not looked upon the finished work in many years), I believe Ryan Brown did the inking. -- PL
If memory serves (and I offer the caveat that I have not looked upon the finished work in many years), I believe Ryan Brown did the inking. -- PL
Monday, September 7, 2009
Blast from the Past #223: Pencils for Archie TMNT Adventures Special, Fall 1992
Here's another of my Archie "TMNT Adventures" covers in pencil form, from 1992. I've always liked this one, partly for the unusual layout. I think Ryan Brown inked this cover.
I'm trying to remember if this layout was my idea or Murph's. It's been so long I don't really know. Maybe Murph does. -- PL
I'm trying to remember if this layout was my idea or Murph's. It's been so long I don't really know. Maybe Murph does. -- PL
Thursday, September 3, 2009
Blast from the Past #221: Archie TMNT Adventures #5 cover
Here's another Eastman/Laird collaboration from the Archie "TMNT Adventures" days. This is the cover for issue #5, which Kevin penciled...
... and I inked.
Looking at this again, I see something which has always irked me -- when a penciler doesn't take the time to fill in large black areas with pencil, instead just putting an "x" in the areas which need to be filled with solid black. It's probably an efficient way to save time, especially when you are inking your own work, but I've always thought it looks lame and unfinished. When I am inking somebody else's pencils, I like to see a completely penciled page. -- PL
... and I inked.
Looking at this again, I see something which has always irked me -- when a penciler doesn't take the time to fill in large black areas with pencil, instead just putting an "x" in the areas which need to be filled with solid black. It's probably an efficient way to save time, especially when you are inking your own work, but I've always thought it looks lame and unfinished. When I am inking somebody else's pencils, I like to see a completely penciled page. -- PL
Wednesday, September 2, 2009
Blast from the Past #220: "How to be a Ninja" (?) cover pencils
I can't exactly remember the title of the publication for which this cover was done, but as I recall it was one of the things that Solson published during the eighties under license from Mirage.
Kevin Eastman penciled this cover, and I think I inked it -- but I could be wrong. -- PL
Kevin Eastman penciled this cover, and I think I inked it -- but I could be wrong. -- PL
Thursday, August 27, 2009
"Turtles Forever" poster art concept
Lloyd Goldfine sent me this image a couple of days ago. It's something he and the crew at 4Kids worked up as a possible poster for the "Turtles Forever" animated special. I think it's pretty darn cool... and I surely wouldn't mind one hanging on my wall. -- PL
UPDATE 09-16-09! I just found the artist's blog with a nifty entry on how this poster art was created. Check it out at http://e-mannland.blogspot.com/2009/09/turtles-foreverposter.html
UPDATE 09-16-09! I just found the artist's blog with a nifty entry on how this poster art was created. Check it out at http://e-mannland.blogspot.com/2009/09/turtles-foreverposter.html
Blast from the Past #218: "TMNT Guide to the Universe" cover inks
This art is from the wraparound cover of the Palladium Books-published "Teenage Mutant Ninja Turtles Guide to the Universe", described in a wikipedia.org entry as follows:
"Teenage Mutant Ninja Turtles Guide To The Universe is a role-playing game supplement to the Teenage Mutant Ninja Turtles and Other Strangeness game. It was published by Palladium Books in 1987 and uses the Palladium Megaversal system."
As I recall, I had a lot of fun doing this drawing. I even did the colors on it for the finished published cover. -- PL
"Teenage Mutant Ninja Turtles Guide To The Universe is a role-playing game supplement to the Teenage Mutant Ninja Turtles and Other Strangeness game. It was published by Palladium Books in 1987 and uses the Palladium Megaversal system."
As I recall, I had a lot of fun doing this drawing. I even did the colors on it for the finished published cover. -- PL
Labels:
Blast from the Past,
illustration,
Palladium Books,
TMNT
Friday, August 21, 2009
Blast from the Past #217: Thumbnails for Archie TMNT covers
Over the years, I have tried -- generally successfully -- to save a copy of everything I've drawn. Sometimes they are just tiny scraps of paper with tiny, scribbly drawings on them, drawings that most people would probably just chuck in the wastebasket (and rightfully so). But every so often I run across something that reminds me of the process that one goes through in creating a drawing for, say, a comic book cover.
Case in point -- I saved this little piece of paper with three of my small and VERY rough "thumbnails" for three covers for the Archie "TMNT Adventures" book -- from left to right, #'s 42, 44 and 43. (In fact, I think these drawings may literally be about the size of my thumbnail!)
I thought it would be fun to show those thumbnails and then the finished pencil drawings that they eventually evolved into. -- PL
Case in point -- I saved this little piece of paper with three of my small and VERY rough "thumbnails" for three covers for the Archie "TMNT Adventures" book -- from left to right, #'s 42, 44 and 43. (In fact, I think these drawings may literally be about the size of my thumbnail!)
I thought it would be fun to show those thumbnails and then the finished pencil drawings that they eventually evolved into. -- PL
Subscribe to:
Posts (Atom)