"Blast from the Past" #3 repost -- "Cyberinking Experiments"

In the early 90's, I became intrigued by the possibilities of bypassing the traditional inking step of creating comic book pages. I had been playing around with my new Macintosh computer and some of Adobe's wonderful software packages -- Illustrator, Photoshop, and Streamline.



I realized that a pencil drawing could be scanned in Photoshop, auto-traced in Streamline -- which would create an editable vector graphic file which could then be opened, tweaked, and printed in Illustrator (a process I dubbed "cyberinking"). The result -- due to the way Streamline did its autotracing thing and the infinitely scalable nature of vector graphics -- was pure black and white, sharp-edged linework.



While I had some success with the process, I quickly realized that it had some serious drawbacks. The main one was that to be workable, the pencil drawings had to be very tight and very clean -- essentially inking in pencil (VERY time-consuming). Also, the final result had a kind of sterile quality to it, without the nice organic feel of real ink lines done in pen or brush.



The three pencil drawings shown here were done specifically to test out this new process. They are unusual in the sense that -- at least when I am drawing something that I plan to ink myself -- I don't pencil this tightly. But it was necessary for the "cyberinking" process.

Since those initial attempts wiith Adobe Streamline, I have found another program online -- Silhouette -- that gives even better results.

(I guess I should probably try to find find the finished "cyberinked" versions of these three pieces -- if I still have them -- and post them too. -- PL)

UPDATE 09-05-08: I couldn't find the completed cyberinked versions of these pieces that I did years ago, so I took a few minutes to work one up today, using Silhouette to autotrace the art and convert it to vector art, Illustrator to open it, add the border, then save it in EPS format, and Photoshop to open the EPS and save it again as a JPEG. And here it is. -- PL

"Blast from the Past" #2 repost: Pencils for cover of Tales of the TMNT Volume 1 #7

This is an interesting (and rare) collaboration between two of my favorite pencilers in comics -- Jim Lawson and Steve Bissette. Steve, as most people know, is a big dinosaur fan, and he draws them with great panache and verve. For this cover to issue number seven of the original "Tales of the Teenage Mutant NInja Turtles" (an issue that I plotted and laid out), we got him to pencil the dinos, and then Jim added the Turtles and Renet the Timestress. (Side note: Jim is also an excellent dino art guy, as anyone who has picked up his "Paleo" comics can see.)



I can't remember who laid out this cover artwork -- it might have been a joint effort between Steve and Jim. I have a vague memory of those two guys working on this piece in the old Cutlery Building space that Mirage had for a few years, but I could be mistaken. Maybe Jim (or Steve) will remember and add their comments. In any event, it's a lovely piece of art. I believe it was eventually inked by Ryan Brown. -- PL

"Blast from the Past" #1 repost: TMNT #1 fifth printing cover (pencils)

For the fifth printing of the first issue of TMNT, I pencilled this somewhat symbolic cover, which was inked by Kevin Eastman. It was drawn on tone paper (or Graphix DuoShade, to use the commercial name of the product). The inked art was toned but not colored, and the art --with the characteristic sepia tints created by the chemicals use to bring out the two mechanical pre-printed tones -- was shot as color art for the cover of the reprint book. -- PL

"Amazing Fantasy" #15 cover parody

Back before the Turtles -- or perhaps more correctly, the Turtles BUSINESS -- took over our lives, Kevin Eastman and I would often draw just for fun (imagine that!). This drawing (penciled by me, inked and colored by Kevin) was one of those done to amuse ourselves, as an affectionate homage to/parody of Jack Kirby's cover drawing for Marvel Comics' "Amazing Fantasy" #15, which featured the first appearance of Spider-Man.


(Spider-Man and "Amazing Fantasy" are ® and © Marvel Comics.)

I'm having fun picking up the reins of my "Blast from the Past" project, and while looking through the old BftP's to make sure I don't duplicate my efforts, it occurred to me that when I was doing BftP before, it was on the Planet Racers website where it was "view only", as opposed to this blog, which allows comments. That made me wonder if it might be fun to repost all of those old BftP entries on this new blog, so people could have the option to comment on those pieces of artwork/history. What say you? -- PL

"Mystery Art" no longer

A few weeks back Steve Murphy posted on his blog (http://the-5th-turtle.blogspot.com/2008/08/more-mystery-art.html) about this piece of art -- a framed print of which we had received at Mirage from Imagi, with no note of explanation. (It's now hanging on the all outside my office, in case you want to know.)



Well, I now have some info about how this art came to be, courtesy of Galen Walker, producer on last year's TMNT movie, who recently gave me a very nice copy of this same piece of art, printed on canvas. According to Galen, this art was created by an artist named Sam Michlap, who painted it after hearing a pitch about a possible TMNT movie sequel by some creative folks at Imagi. The pitch apparently involved a plot idea which had three of the Turtles affected by an anti-mutation serum, and only Michelangelo was left unaffected... and the only one who could save his brothers.

Just to be clear -- while I really like the art and I very much appreciate the fact that there were people at Imagi who were still interested in the Turtles enough to be discussing this stuff, this is not the direction we will be heading in for the next movie. -- PL

"Turtle Tunneler" designs

My pal Jim Lawson is a genius at designing and drawing cool vehicles. Going through my files of stuff related to the 4Kids TMNT show, I came across these intriguing sketch concepts he did for the "Turtle Tunneler", used in a number of episodes of the show. -- PL

San Diego, long ago

I found this (pre-digital) photo recently -- it's from the 1986 San Diego comicon (my second trip out there, if memory serves). I'm posing here with Stan Sakai, and I think the other gent is Jim Groat, creator of a nifty comic titled "Equine the Uncivilized" which featured an anthropomorphic horse barbarian. -- PL